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Thursday, October 19, 2017

The Siren's Song

I have to admit to a little trepidation when I came on board this latest H-Team adventure -- retelling The Odyssey without gods or magic?! The period might have been my wheelhouse, but that particular approach most definitely was not my usual style. Add to that the very careful dance of making sure that my contribution to this collaboration wasn't an inadvertent sequel to By Helen's Hand, and I worried, at first, that maybe I wasn't quite up to the challenge.

But then the sirens called me. I could hear the song. And I knew what I had to write. What I was desperate to write and retell. I knew the sirens wanted to sing through me.

Of course that also required a small amount of reshuffling. The sirens weren't initially part of the general proposed outline of our project, and I'm super grateful for the flexibility of my co-authors in making room to allow me to tell their tale! Because I knew exactly where I wanted to begin. I knew precisely how to approach their story and their history in a world without gods or magic.

Or at least, without the traditional idea of magic. I still had at my disposal the magic of storytelling--the magic of the stories we tell ourselves, and the ways we create our own narratives, spinning heroics and humor out of the mundane or the tragic. And what could possibly be more fitting in a retelling of the story of Odysseus than for my sirens to have rewoven their own history, their own tragedy, into something magical?

Once, we'd had wings.

That was the line upon which I built all the rest. A line that didn't make the cut into the final version of the story, but which became the very foundation of my poor, isolated, sirens and their history. Because in a world without gods or magic, it is the stories people tell themselves that matter most. Personal and family and community narratives were the only history they might know--and that went double for my lonely sirens.

So who were my sirens? How did they come to live upon their rocky, barren island to sing poor sailors to their doom? 

Grab your copy of A SEA OF SORROW: A NOVEL OF ODYSSEUS, and find out!

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
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Wednesday, October 11, 2017

Musing on: Penelope's Suitors

As part of my research for A SEA OF SORROW, of course I found myself rereading The Odyssey -- and I couldn't help but wonder, as I read:
Who *are* these men?
Mnesterophonia Louvre CA7124
Slaughter of the Suitors via Wiki Commons (public domain)

We know some of their names, of course, and even who their fathers are. We know that they seem to have some pretty poor manners, and as guests and suitors they have overstayed their welcome to an extreme degree (though it seems Penelope is in part to blame for not sending them away, herself, perhaps, too.) But. Who are they in the greater scheme of Ithaca's kingdom and community, post Trojan War?

Presumably, Odysseus took a majority of able-bodied men with him to Troy to fight. We know these suitors are the sons of now-old men, noble houses of Ithaca who were part of Odysseus's assembly. The sons of men who are now too old and weak to rule them -- much like Laertes is too old and weak with grief and sorrow to guard Penelope and Telemachus from the suitors, or even to engage in Ithaca's assembly to any degree. Had they been younger men, the fathers of these suitors would have left 20 years earlier with Odysseus to fight, right? And if the suitors had been older men themselves, they also would have left, for the most part, 20 years ago to fight with Odysseus.

So are these Suitors second or third or fourth sons (of second wives, perhaps)? Not quite so young as Telemachus, clearly, who was an infant when Odysseus left, but old enough to see their brothers sail off in his company, and just a shade too young to follow? Old enough to grieve for their brothers who never returned home? Are they acting out, taking back what they lost in some way, by pillaging Odysseus's stores in his absense and courting his wife?

During Telemachus's assembly in book two, Mentor says:
"Think: not one of the people whom he ruled
remembers Odysseus now, that godlike man,
and kindly as a father to his children!" (Fagles, p 100)
Is he accusing the Suitors themselves of not knowing or remembering Odysseus, suggesting that perhaps they were too young to have really engaged with him in any meaningful way? Accusing the old men of the Assembly of forgetting the kindness of their king, or betraying the kindness that Odysseus showed them by not standing against the abuses of the suitors?

It seems likely that reinforcements came to support the Greeks (generic national identity used loosely, here), so why didn't these suitors travel to Troy to fight at some later point in the war? Or had they not yet quite come of age, even then? Say they were only 5 or 6, and hadn't quite reached manhood before Troy was sacked? But that would make them only 26 to Penelope's mid thirties, at the youngest, assuming she was in her early/mid-teens when she married Odysseus and bore him Telemachus, now nearing 20.

Odysseus mustered 12 ships when he initially sailed to Troy with the army, according to Homer's Catalogue of Ships, and in the Odyssey, Odysseus claims to have begun his journey from Troy with a dozen ships, still. twenty to thirty oars per ship would mean a minimum of 240 to 360 men -- none of which returned home, save Odysseus himself. Could resentment for the loss of so many have fueled the blind eye that these old men turned to their youngest/younger sons who lived? Or simply the desire to spoil them, because they had not been lost when so many others had been?

Honestly, I'm kind of shocked that upon his return Odysseus is allowed to keep his crown, after losing so many men -- hero-kings have been thrown out of power for less, after all -- but perhaps it is the slaughter of the suitors that secures his power in the end. The old men, after all, clearly don't have the strength to stand against him when they cannot stand against their own sons. And with the suitors' deaths, an entire generation of Ithacans, ultimately, is wiped out -- leaving Odysseus with no one to challenge him at all.

Don't forget to grab A SEA OF SORROW from Amazon, Kobo, iBooks, and B&N, (or even Amazon UK), or add it on goodreads!
ASOS releases October 17th!

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
Amazon | Barnes&Noble | IndieBound

Tuesday, September 5, 2017

Pre-Order A SEA OF SORROW, a new H-Team Adventure! With a story by me!

Coming October 17th, but available to pre-order NOW from Amazon, Kobo, ibooks, and B&N, (including Amazon UK), I've joined the H-Team as we set sail on our next adventure, tackling The Odyssey in our latest collaborative novel!

Odysseus, infamous trickster of Troy, vaunted hero of the Greeks, left behind a wake of chaos and despair during his decade long journey home to Ithaca. Lovers and enemies, witches and monsters--no one who tangled with Odysseus emerged unscathed. Some prayed for his return, others, for his destruction. These are their stories…

A beleaguered queen’s gambit for maintaining power unravels as a son plots vengeance.
A tormented siren battles a goddess’s curse and the forces of nature to survive.
An exiled sorceress defies a lustful captain and his greedy crew.
A blinded shepherd swears revenge on the pirate-king who mutilated him.
A beautiful empress binds a shipwrecked sailor to servitude, only to wonder who is serving whom.
A young suitor dreams of love while a returned king conceives a savage retribution.
Six authors bring to life the epic tale of The Odyssey seen through the eyes of its shattered victims—the monsters, witches, lovers, and warriors whose lives were upended by the antics of the “man of many faces.” You may never look upon this timeless epic—and its iconic ancient hero—in quite the same way again. In the tradition of Madeline Miller’s Song of Achilles, and with the spirit of Lindsey Davis’ The Third Nero and Kate Quinn’s Mistress of Rome, A Sea of Sorrow transports you to the endlessly fascinating world of Homeric Greece.

Consider adding it on Goodreads, too, while you wait for October to roll in!

I've been keeping this project on the super downlow, but subscribers to my newsletter got the sneakiest of peeks into my piece of this novel back in June -- I'll let you all guess from that excerpt which of these perspectives is mine! (And if you want to be one of the first to learn about new projects and get a glimpse behind the curtain of author!me, make sure you're subscribed to The Amaliad, too!)

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
Amazon | Barnes&Noble | IndieBound

Wednesday, April 5, 2017

Daughter of a Thousand Years audiobook giveaway!

Available NOW on Amazon!
Offda. It's been a while.

I'm currently in draft mode -- working on three different writing projects simultaneously (LOL GOOD JOB BRAIN), plus some graphic design things that needed to get done (bookmarks for TAMER and DAUGHTER and BHH are coming with me to HNS Portland in June!) so I've been a littttttle bit more scatterbrained about social media-ing than usual.

But somehow it is now almost Easter and I do not know where March went, but the blog has been sadly neglected. Which I *think* means it's time for a small giveaway. (USA only this time, sorry!)

I've got audio editions for DAUGHTER OF A THOUSAND YEARS -- MP3 or Audio CD -- and I think one of you should have your choice. I'll even send along the fancy new bookmarks once they arrive, too. (I'll be ordering them this week!)

The only mandatory entries in the rafflecopter are your contact email (exclusively so I can get in touch if you win) and dropping a comment below about your favorite author swag! (For example, I brought Herc Butt magnets to HNS Denver -- how do we feel about a Hermes Butt magnet for Portland? Do you prefer stickers instead of magnets? Or is there another Butt from #NameThatButt that you'd prefer? Or no butts at all? *gasp!*) 

You can also tweet and follow and subscribe to the Amaliad for extra entries, of course.


a Rafflecopter giveaway

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
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Wednesday, March 1, 2017

The DAUGHTER OF A THOUSAND YEARS Twitter Thread Masterpost

I've been posting a LOT about DAUGHTER OF A THOUSAND YEARS on twitter these last couple of days, and I know not everyone follows me over yonder to pick up what I'm putting down, so I thought it might be helpful to include some of those threads here for people to reference -- storify slideshows for everyone!

First, an important PSA thread:

And now, more!

Phew. Okay. So there you go -- each of those threads is like an entire blogpost worth of meat I feel like, so I just wanted to make sure they are out there for everyone because all of these topics are, I think, important as they relate to this book and even just generally, particularly in today's GASTONTOPIA world.

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
Amazon | Barnes&Noble | IndieBound

Wednesday, February 22, 2017

Daughter of a Thousand Years In the Wilds!

DAUGHTER OF A THOUSAND YEARS released yesterday! It's been a wild ride, start to finish, but I'm so happy to have the opportunity to share Emma and Freydis's stories, present and past, with the world!

Today is the obligatory earliest blogtour reviews round-up post, in the hopes that hearing the great things people are saying about DAUGHTER will persuade any of you who may be on the fence about clicking that pesky buy now button!

Author Libbie Hawker started us off with a phenomenal blurb for DAUGHTER:
Amalia Carosella’s newest novel is beautiful, honest, and relevant, speaking boldly of our right as Americans to worship as our hearts direct, at a time when we most need to hear that message. Daughter of a Thousand Years is a touching examination of honesty in faith and the personal nature of religious belief. It’s also great historical fiction, with the rich detail and excitement that are hallmarks of all Carosella’s books.
(P.S. Her books TIDEWATER and DAUGHTER OF SAND AND STONE are two of my favorites; absolutely beautiful hist fic novels!)

Michelle at Mountains on the Horizon says:
From experiencing public bias, to relationship struggles and families, Author Carosella has given this book a spirit that shines through her strong women characters. Without faith bashing on any fronts, she is able to show cultural and religious bias that still thrives in our everyday lives. 

From Stacie at Pursuing Stacie (Living Beyond the Title):
I have never, ever had a book hit me so hard. It has challenged my beliefs. It has forced me to step outside of my comfort zone, to study the beliefs that my ancestors held to so fiercely. That people today, hold to so fiercely. 

Jenny Q at Let Them Read Books said:
Well written, as always from Ms. Carosella, and well worth a read for the historical details, and for the theological discussion, if you're in the mood for one.

From Margaret at Just One More Chapter:
Freydis was a woman ahead of her time, she didn't want to waiver from her beliefs and yield to society demands but to forge her own destiny even when they could end with dire consequences.

Stephanie from 100 Pages a Day offered:
Emma and Freydís are strong women that show immense courage, they are both true to themselves while trying to live up to their family's wishes. [...] Overall, a wonderful mix of historical fiction and contemporary fictions that compares women's struggles and religious persecution through time. 

And last but not least, from Erin at Oh, for the Hook of a Book:
If you like to be swept away in a good historical fiction read, and like memorable reads with strong female characters, this is a good book for you to dive into eyes first. Pick this up as one of your highlights of the first half of 2017.

*phew* That's a lot of reviews so far! And I am SO GRATEFUL for each and every one of them! Please visit the blogs of all these fantastic reviewers and check out the other works they've read and recommended -- because without bookbloggers, authors would be kind of up the creek without the paddle, as they say.

And you can follow along with DAUGHTER's blogtour as we forge ahead -- the complete schedule is found on many of the linked reviews above, and also at Historical Fiction Virtual Blog Tours; many thanks to the fabulous Amy, who set all this up for me. (And you!) In addition to reviews, we've got some interviews coming down the pipe, and I'm looking forward to sharing all of that with you all as the month marches on!

In the meantime, I hope you'll give DAUGHTER a shot, and if you enjoy it (or, you know, even if you don't), please do consider posting your review on Goodreads and/or Amazon!

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
Amazon | Barnes&Noble | IndieBound

Tuesday, February 14, 2017

Musing on Hel (And the Norse Afterlife)

Ahhhhhhhhhh! Just ONE WEEK until Daughter of a Thousand Years releases! On that note, another Norse post! It is maybe possibly semi Valentine's Day thematic? Kind of? You can decide for yourself, I suppose -- but here are my thoughts on Hel and the Norse Afterlife. (Also I totally especially recommend reading the footnotes on this one.)

Hermod before Hela
Hermod before Hela (via Wiki commons, PD)
One of the monstrous children of Loki, according to Snorri in the Prose Edda, Hel is "half black and half flesh-colored." She was given the rulership of Niflheim and all those who die of sickness or old age -- meaning pretty much everyone who didn't die with exceptional glory in battle, with the possible exception of those who were lost at sea.***

[Those who DID die gloriously in battle might be swept up by the Valkyries, or perhaps Freyja and brought to Asgard to live on drinking and battling for funsies in Valhalla (with Odin) or Folkvangr (with Freyja) until Ragnarok. However, a poem from the Poetic Edda, The Hárbardsljód, suggests Thor might have had a hall for the souls of peasants and thralls, so maybe it wasn't only the glorious died-in-battle nobles who got a more um. pleasant? afterlife. It's hard to say for certain -- but we definitely shouldn't confuse the idea of Valhalla with the Christian idea of Heaven.]

In any event, if the exceptional deaths got the Valhalla/Folkvangr upgrade, it was only the second class deaths that went to Hel* which was by most accounts a pretty dismal place, in particular this stanza in the Voluspa describing part of Niflheim is pretty bleak**:
38. A hall I saw, | far from the sun,
On Nastrond it stands, | and the doors face north,
Venom drops | through the smoke-vent down,
For around the walls | do serpents wind.
I don't know about you, but with that as my other option, I'd definitely be more inclined to consider running myself straight toward someone else's sword in heroic battle. Especially if the woman who greeted and embraced me should I die of old age or illness was only half human flesh. Half-alive, even. But what if her appearance is more than just the indication of her monstrous birth -- the child of Loki and the Giantess, Angrboða -- and potential threat to gods? What if it signifies the grief of loss? Of the women who were left behind when their husbands went out as Vikings and never came home again?

Sure, their bravest and boldest men went to Valhalla to be waited on by Valkyries, or got to dance their nights away with the goddess Freyja (by all accounts, very beautiful and highly sought after as a bride by the frost giants, who are obsessed with marrying her) but those women, who did not or would not die in battle had lost their men and sons for eternity. There was no hope of reunion when the dead were divided so absolutely in the afterlife. 

What if Hel is the representation of their heartbreak, their suffering, their grief, in knowing they will never embrace their loved ones again? For that matter, it could be the representation of all loss of that nature. The husband's loss of his beloved wife and child in childbirth -- when just hours earlier the world had been full of life and promise, now cruelly stripped away, there is only a half life left, while stumbling through grief.

It seems likely to me that Hel, responsible for those kinds of deaths, would embody their suffering physically as well. But what a miserable existence, taking charge of so many forsaken spirits. And having been forsaken by the Aesir, to rot with Hel in Niflheim, is it any wonder that the dead in her domain rise up against the gods in Ragnarok? 

Perhaps it's their grief that makes them do it.

***There's also an idea of a family mound -- a burial place NOT in Niflheim, but perhaps within your own property, where your soul would reside with your ancestors and family members. So perhaps of the sick and old-aged, it was only those whose bodies were not laid properly to rest or given the proper rites who resided in Hel's domain -- the forgotten and the exiled and the outlawed would certainly make a sorry bunch. Since family and community were so important, the foundation of society really, this would make a lot of sense to me. I incorporate both the idea of the Mound and Thor's hall for peasants in DAUGHTER OF A THOUSAND YEARS.

*In those days, a good many of those who would have died of sickness were probably women and children, most especially in childbirth. Norse women could and did go off to plunder and fight as vikings, with new evidence suggesting they were more prevalent in those parties than we previously thought, but childbirth was dangerous then, and there was no telling what was on the other end of a pregnancy -- life or death. The idea of Hel as half alive and half dead, then, is rather fitting. It almost seems to me as though every woman had one foot in the grave in those days, especially if she was married and bearing children. 

** This sounds to me like the place where Loki is bound, what with the venom dripping down into his face and eyes and the presence of the serpents. But there isn't any real specific information on where Loki was imprisoned, and since when he writhes against his bonds he causes earthquakes, it seems to me that implies he's trapped beneath Midgard somewhere. Maybe that's where Nifleheim is, though. It's hard to say how it all maps out.

You can pre-order print, kindle, or audiobook! Daughter of a Thousand Years is almost here!!! Ahhhhh! And don't forget you can still enter to win one of 100 kindle copies on Goodreads, or join us for the blogtour beginning this Thursday!

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
Amazon | Barnes&Noble | IndieBound

Wednesday, February 8, 2017

Snorri's Overview of Norse Gods (Goddesses Sold Separately)

Baldr dead by Eckersberg
Baldur's Death (via Wiki Commons, PD)
According to Snorri's Prose Edda, there are Twelve Aesir (though apparently by twelve he really means 14--is that a godly dozen?) Lest you think this is some coincidence that there are "Twelve" Aesir, just as there are Twelve Olympians, you should know that Snorri also wrote in the Prologue of his Edda that Asgard is also known as Troy. I think that should answer your question. (Sorry, reading Snorri brings out my sass, friends.) But the Twelve Aesir are not alone--ruling beside them are the Twelve Ásynjur, the goddesses, and credit where credit is due, at least the women didn't get the shaft:
Hárr answered:
"The divine Æsir are twelve." Then said Jafnhárr: "Not less holy are the Ásynjur, the goddesses, and they are of no less authority." 

The Twelve Aesir he lists are:
1) Odin the All-Father, of course. Married to Frigg, who sees all fate. But make no mistake, Odin is the man in charge.
Odin is called Allfather because he is father of all the gods. He is also called Father of the Slain, because all those that fall in battle are the sons of his adopt on; for them he appoints Valhall and Vingólf, and they are then called Champions. He is also called God of the Hanged, God of Gods, God of Cargoes; and he has also been named in many more ways [...]
2) Thor, who oddly is not immediately acclaimed as god of thunder-- though this might have something to do with Snorri's bias and his intention to turn the Norse gods into men*. Instead, Thor is attested to primarily as the strongest god, and of course there is a mention of his goat-drawn chariot, Mjolnir, the belt which doubles his strength, and the gloves that help him grip his hammer.

3) Njördr! Technically not an Aesir, but a Vanir (father to Freyr and Freyja), and given as a hostage to the Aesir. He's married to Skadi who loves the snow and the mountains, as opposed to the sea, which seems to cause them some slight marital problems and keeps them apart. Snorri tells us:
He rules the course of the wind, and stills sea and fire; on him shall men call for voyages and for hunting.
4) Freyr, son of Njördr and twin brother of Freyja. He's god of rain, sun, and growing season type things. Basically he takes care of the crops and prosperity of that nature. Snorri says he's the most renowned of the gods, but I don't buy it.

5) Freyja, daughter of Njördr and twin sister of Freyr, and when Snorri calls HER the most renowned goddess, I have no trouble believing it. Freyja was a war goddess, riding out in her cat-drawn chariot, and of those that died, she split the warriors down the middle with no lesser god than Odin himself. In addition, she can also be invoked as a love goddess. Freyja is also counted among the Ásynjur.

6) Týr, another warrior god. He's one-armed after a run-in with Fenrir, Loki's wolf-son. Snorri says:
he is most daring, and best in stoutness of heart, and he has much authority over victory in battle; it is good for men of valor to invoke him. It is a proverb, that he is Týr-valiant, who surpasses other men and does not waver. He is wise, so that it is also said, that he that is wisest is Týr-prudent.
 7) Bragi, of course! The Poet! God of wordsmithing and skaldship. Snorri calls him a god of wisdom as well, and he's married to Idunn, who is the only goddess capable of picking the golden apples (Snorri says she only guards them), which the gods require to keep their immortal youth and strength.

8) Heimdall, the White God, born of no less than nine women, sisters, who may or may not also have been virgins. He guards Bifrost, the rainbow bridge to Asgard, and:
He needs less sleep than a bird; he sees equally well night and day a hundred leagues from him, and hears how grass grows on the earth or wool on sheep, and everything that has a louder sound. He has that trumpet which is called Gjallar-Horn, and its blast is heard throughout all worlds.
I'm not entirely sure how great an attribute it is to need less sleep than a bird, but the rest of it is pretty excellent. Snorri also claims he has golden teeth, which seems kind of impractical, all things considered. I bet he has some SERIOUS hot/cold sensitivity when he eats, if that's true.

9) Hödr somehow makes the cut into the essential twelve, though he's blind, and sadly he's the god responsible for the death of Baldr (who apparently doesn't get included anymore, and seems to be dead already, when this was written which does not really bode well for anyone). Kinda-sorta. If being tricked by Loki counts as responsibility. He doesn't really have any other attestation besides "sufficient strength" in this opening summary of the Asgardian gods, so I'm not sure why he's included at all, really. I mean, SUFFICIENT strength? really? That's like saying the guy is adequate with a sword. I dunno about you, but it doesn't inspire a lot of confidence in ME.

10) Vidarr feels like another place-holder for the twelve-of-which-there-are-actually-fourteen. He's nearly as strong as Thor, reliable, and evidently "the silent god." But. Well. That seems to be all he has going for him. Seems like a pretty dubious honor to me.

11) Váli is explicitly named as a son of Odin by Snorri (the only god aside from Thor, so far, though there are plenty of other attestations to a plethora of Odinsons around and about). He's another god who can be counted on in a fight, and has a talent for marksmanship.

12) Ullr is a son of Sif (who oddly enough was not named when Snorri first brings up Thor, but he does mention here that Ullr is the step-son of Thor, which implies that Sif is Thor's wife, if a bit after the fact), and even better with a bow than Váli. In addition, he's some kind of pretty, and... really good on snowshoes? I feel like we're reaching here, Snorri. But his saving grace seems to be as a god of single combat, and since that seems to be all he really does, invoke him then or never!

Bonus God 13) Forseti, a son of Baldr and Nanna (Baldr's wife died for grief after his untimely demise, so she's no longer among the living either). He takes Baldr's place as a god of justice with some sweet digs in Glitnir, silver-roofed and gold-pillared. (If Freyja, though listed in this section, is not actually counted, we'd still be at 12. Snorri is weird.)

Bonus God(?) 14) Loki. Of course, we can't forget him. The Mischief Maker and "the first father of falsehoods." His wife is named Sigyn, and he has a number of unfortunate children which are attested to immediately following, one of which is the aforementioned Fenrir. It's important to note though, that Loki doesn't seem to have been worshipped as a god, really, at all, so his inclusion here is a little bit extra strange -- though maybe he's seen as an extension of Odin? Or the Jester of the Court? Snorri says:
Loki is beautiful and comely to look upon, evil in spirit, very fickle in habit. He surpassed other men in that wisdom which is called 'sleight,' and had artifices for all occasions; he would ever bring the Æsir into great hardships, and then get them out with crafty counsel.
And there you have it! The Twelve (ish) Aesir, according to Snorri. Three of which aren't Aesir at all, but Vanir, and several more of which are pretty, well... underwhelming to hear about. Unlike the Olympian gods, there's a lot more overlapping and kind of random seat-warming among the Norse gods. The prevalence of warriors makes sense for the Norsemen, who as we all know, valued reputation exceedingly, and often went out in search of it, either by exploration or raiding -- and let's be real, the exploration would usually become raiding at some point, unless the lands weren't occupied.

But again, I think it's important to reiterate -- Snorri is only one source, and he only offers us one small snapshot for a particular non-religious purpose, and he wrote his Edda hundreds of years after Iceland officially converted to Christianity, and even longer after Christian ideas started seeping into the roots of Norse Myth and practice. So whether more than just Snorri considered these particular gods to be The Twelve Aesir or not -- we can't really say. And whether Snorri's interpretation of these gods as the highest was even true for Iceland and its pagan height... it's hard to know for certain.

*Thor being the most popular of the Norse gods among the common people would be the uppermost god to unseat, and leaving out all his supernatural abilities in this attestation goes a long way in making him a lot more human, and a lot less impressive as a god. If I had to make a guess, I'd say that's a big reason as to why Snorri conveniently doesn't bother to mention anything beyond Thor's strength in the GYLFAGINNING.

Don't forget to enter to win 1 of 100 (!!!) kindle copies of DAUGHTER OF A THOUSAND YEARS on Goodreads, or just go ahead and give it a pre-order if you prefer!

Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
Amazon | Barnes&Noble | IndieBound

Wednesday, February 1, 2017

A Problem of (Norse) Sources

I wanted to post an overview of the Norse gods today, but I realized I probably needed to talk a little bit about the difficulties that Norse Mythology presents, as far as determining well... anything about it, honestly.

Unlike the Greco-Roman tradition, for which we have many pre-Christian sources*, Norse Mythology was only preserved in written form AFTER the majority of the North had converted to some form of Christianity or another. This means that ALL of our sources for Norse Mythology (with the exception of a couple of Latin authors) were written VERY late, and (again, with few exceptions) after the pagan system of belief had been largely dismantled. Snorri, one of the primary authors of what we have left of Norse Myth is himself a Christian, and makes his reasoning and agenda quite clear -- he's preserving (Icelandic) Norse Myth not for the purpose of maintaining the lore of the pagan faith tradition itself, but for the purpose of preserving the poetic forms which he saw as an important cultural heritage and inheritance of Icelanders. In the prologue of the Prose Edda, in fact, he takes great pains to discredit the idea of the Norse gods as divine beings, going so far as to turn them instead into kings and princes -- of TROY.

Adding to the problems presented by source bias as relates to faith, what was preserved at all is only a small sliver of a vast and highly variable, highly localized breadth of beliefs. Primarily, those that belonged to Icelanders. But even all Icelanders likely wouldn't have worshipped the same gods in the same way or necessarily in the same order of precedence. Broadly speaking, I'm sure they shared more than they didn't on the island, but every community would have had its own variations on those thematic broad strokes. And the same can be said for the Norse-pagans in Norway or Denmark or Finland or Sweden. From one village to the next, practices and beliefs might well have been wildly different, never mind from one larger kingdom or country** to another.

We have this prevailing idea of these old faiths, in our modern Western World, that they were monolithic, like Christianity*** is or was. But Nordic peoples didn't all have one holy book from which they built their faith, they had no scripture, no state-organized or imposed faith traditions or rituals that united them all (though later, certain kings might impose certain rules -- or demand all their people be baptized, etc). They relied by and large upon wise women or men, shaman-priests and seers, to direct their individual communities. And while some of these wise women (for example) might have traveled from community to community, making rounds, and engaging in rituals that might have been common between one village and the next, the needs of those villages would not all have been the same, and the direction dispensed, therefore, would not have been the same, either. What worked for one group, one tribe, one village, one community, would not necessarily work for another.

So. All of that is said as a kind of disclaimer, before I give you any kind overview of anything Norse Myth related -- because it's important to recognize that any overview we glean from the sources is already deeply flawed and cannot be truly representative of what was once a/many vibrant and living, wide-ranging, cultural and faith tradition(s) or belief(s).

And not unlike the pre-Christian Norse peoples, Heathenry/Asatru/Norse Paganism as a whole today is just as deeply and widely variable and just as highly localized -- there truly is no one way, and even when we might agree on one element generally, it doesn't mean it will look the same from community to community. But... that kind of makes community that much more important, I think, because without it, you lose an essential compass point in making sense of the experiences you might have had, spiritually and otherwise.

*whether you believe the authors were atheists or agnostic or not is another issue altogether, which I won't get into today because we've already got our hands full.

**I use the terms kingdom and country loosely here -- because what we consider to be a united nation today was obviously not necessarily the same united nation of the viking age, if there was a union of tribes at all at any given time.

***I think at this point an argument could be made that Christianity is becoming less monolithic by the day, because local church community to local church community, even within the same town, might interpret the scriptures in extremely variable ways, but again, that's another conversation for another day.

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