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Showing posts with label Medea. Show all posts
Showing posts with label Medea. Show all posts

Saturday, March 4, 2023

On Writing Women in the Bronze Age

I am not going to try to tell you that the Bronze Age Aegean was some kind of egalitarian utopia. Far from it! We can see that men had significant authority in the names that were recorded, noting who was transacting with the king in those Linear B tablets that provide us with the bulk of contextual archeological knowledge of the period in which I've grounded my stories. And we see it too, reflected again in the myths.

But what I am going to tell you is that even in a society where men have significant authority, that doesn't mean that women have no rights at all over their own lives, no room to exist in public, no role of importance within their own culture. What I am going to tell you is that just because men had documented authority, economically, it does not mean that women did not have authority of their own inside their palaces, their homes, and their communities, still.

What I am going to tell you is that we are not constrained by the historical record to imagine, for those women of the Aegean Bronze Age, a life constrained by the most absolute and extreme interpretation of patriarchy.

Even in later Greece (and the Aegean on the whole), where the lives of women are considerably better documented (though still, we know much more about the lives of men), we see a wide variety of ways of living inside that Patriarchal framework. Is it not possible, even PROBABLE, that there was a wide variety of ways that women lived in the Aegean Bronze Age, too? That not all palace-centers, not all kingdoms, had the same rules? 

For me, what makes the Aegean Bronze Age so fascinating and so attractive as a background to retelling these myths (besides the fact that it makes the most sense to set them in that period, using the Trojan War as a fixed point in history), is that there is so much ROOM to imagine a world where women took part in their own lives and stories.

When you read the Lion of Troezen or Tamer of Horses, Ariadne and the Beast or Helen of Sparta, and encounter the mythic figures of Aethra and Hippodamia and Antiope, Helen and Ariadne, women whose names have endured for literal millennia, does it not make more sense that the reason they were remembered (by so many, many, many men in order to reach us now in the present) might have been, in part, because they were exceptional?

For myself, I would rather err on the side of giving them too much power rather than too little or none. I would rather believe that exceptional women found ways to exercise their power, rather than be stifled and hidden away in a dark, interior room, only allowed out in answer to their father or their husband's summons, meant neither to be seen OR heard. 

There are such tantalizing glimpses of bigger lives inside their own myths! Aethra advising her son, King Theseus of Athens, who listens to and acknowledges her wisdom. Helen standing openly upon the walls of Troy, accepted by Priam as an authority on the Achaean Kings, battling below, and then later welcoming guests into her Spartan palace, presiding over them as the consummate hostess, having clearly taken charge of her husband and her home. Hippodamia, who was said to be kin to the Centaurs, an entirely different and decidedly UN-Greek society; Antiope, an Amazon queen--an even more foreign bride. And Ariadne. Ariadne who was so exceptional, so rare a woman, she was brought to Olympus and made a consort-wife to a god!

These were not meek women, eyes kept downcast, unable to exert any power or authority over their peoples or their lives. These mythic figures are opportunities to see how the women inside a patriarchal society might have MADE space for themselves, through sheer force of personality and will, through the power granted to them by birth or marriage, by the blessings of the very gods. Just like Medea or Circe, like the murderous Clytemnestra, just as women in history, like Hatshepsut and Cleopatra, Zenobia of Palmyra and Empress Aelia Pulcheria of the Eastern Roman Empire, and the Queens Victoria and Elizabeth of England did much, much, much later too.

When opportunities present themselves, even inside a strict patriarchy, people without power can and do find ways to claim it, particularly when they're born on its periphery or adjacent to the structure which grants it. And people have always been people, we know that. So there is no reason at all to think that these women, these mythic figures whose stories we love to tell and retell, couldn't have done so, too.





Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
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Wednesday, April 29, 2015

The Myth of Theseus and Democracy in Athens

What if Theseus is the first Adopted heir? And the reason he's credited as bringing democracy to Athens is because he was claimed the "long lost son" of Aegeus as a political necessity, to appease the people of Athens and Attica?

Theseus Minotaur Louvre F33 n2
Theseus slaying the Minotaur
photo by Jastrow, via wiki commons
Theseus had a purpose -- he was going to Athens to claim (or make?) his place there. He built his reputation along the way in such a manner as to make it virtually impossible for Aegeus to turn him away. When he arrived, according to some myths, Medea advised Aegeus to kill him, because he was obviously seeking to usurp Aegeus's power.

And maybe she was right. Maybe Theseus was a champion of the people of Attica, intent on upsetting the status quo, to overthrow the king (and his sorceress mistress?) and reassert the peoples' power -- to speak with the peoples' voice? And maybe, Aegeus, realizing the error of his ways, (was he a tyrant? he might have been!) instead of being overthrown, used it to his advantage to preserve his own power while at the same time giving his people the appearance of winning, by adopting Theseus as his son. He didn't have any heirs,  and if the people were revolting against the current leadership, whatever Medea's plans were, they weren't going to work. And there was always the hope that Theseus might end up dead in Crete anyway.

And maybe that was even a condition of the adoption -- maybe to be declared Aegeus's heir, Theseus had to go to Crete as tribute, and IF he survived and returned to Athens, he would then be given the kingship, free and clear.

And maybe when Aegeus leaped from the rock to his death, it wasn't grief that drove him. Maybe it was the realization that he'd lost the gamble, and Theseus had returned -- and knowing he'd lost his kingdom, maybe he wanted to save face. Rather than being removed, he made a statement, and shadowed Theseus' ascendance with his suicide.

All of this assuming, of course, that a man named Theseus might have lived, and a king named Aegeus might have died.



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Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war—a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers—violence, betrayal, extortion, threat of war—thwart Helen’s plans and bar her path. Still, she refuses to bend to the will of the gods.

A new take on an ancient myth, Helen of Sparta is the story of one woman determined to decide her own fate.