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Showing posts with label Authorial Adventures. Show all posts
Showing posts with label Authorial Adventures. Show all posts

Monday, August 19, 2019

Can We Ever Give True Consent to a God?

In response to an article/essay that made the rounds a while back (Rape, Lost in Translation), I found myself thinking, again, about the relationship between mortals and the divine.

I should be clear: I spend a LOT of time thinking about the relationships between mortals and the divine. A LOT. How does a relationship with a god change us, whether that relationship is sexual or otherwise? And I've done my share of eliding what may or may not have been a rape in a myth, too, no question. Sometimes because I think it is absolute B.S. and if the woman in question is that FREAKING AWESOME there is no way she did not kick the hero's butt instead. Sometimes because I just want there to be something else besides rape and violence, because I believe very deeply that the gods (and our understanding of the morality of the gods and ourselves) evolve with us and in our retellings, we should allow for that evolution.

But when it comes to the relationships between gods and mortals, this line in particular is a little bit haunting: "It is indeed doubtful that clear consent can even be offered in such a situation."

I'm not sure it applies to only sexual relations. And it isn't limited to the Greek Myths. The story of Jonah and the Whale, for example, lays out the difficulty in refusing big G. (And this again, calls into question Mary's "yes" when the Archangel comes to tell her that she'll carry and birth God's chosen son, as well.)

If you are chosen by a god for ANY reason, can you ever really say no?

For me this question is more than just academic. It isn't only about translation, but speaks also to my spirituality. Though my patron god is Norse, these women in Ovid's Metamorphoses, from my perspective as a polytheist, are not just literary constructs. That makes the stories told in these myths that much more difficult, and in some cases, more critically important to parse.

Are their experiences and fates, the violent nature of these encounters, a reflection of the society in which they lived--or an imposition of authority, a warning sent by a higher power? Are the events that transpired only a mortal interpretation of an actuality that could not be fully understood or perhaps misconstrued? Is that doing the same work of eliding the truth, erasing a violence perpetuated against women across time and space, even by the divine?

And much more personally, did I choose my relationship to my god or was it chosen for me? The moment the divine revealed itself to me, how much choice did I really have in embracing it? (Because there are times when it sure does not feel like much, if any. And I certainly would never have gone searching for a pagan god, having been raised a Good Catholic Girl, but a pagan god came into my life all the same. Never mind that he gave me time and space to get used to his presence--allowed me to set the pace. It still turned my life upside down.)

Just as faced with the Lay of Harbarth and Thor's laughter and eagerness at the idea of helping Odin hold down and rape a woman, I found myself questioning, so, too, should we all be questioning these other, more common myths in which so often the violence done to women has been overlooked or erased. (Is this a function of male wish-fulfillment? That just the wanting of a woman paired with power and beauty can win their hearts and minds and make them return that want vs acknowledgment of imposition and violence upon their person? In my own retellings, am I doing the work of the patriarchy in imagining, here and there, an alternative? Or is there room, too, for the hope that the divine might have treated us with greater respect? Might STILL grant us the opportunity to consent, and model that behavior for the mortals among us who require the reminder?)

Also, all of this is part of why I am desperate to write a book about Aethra. In Helen of Sparta, it is clear (I hope) that Leda was raped by Zeus--not once, but twice. But Aethra's story of Poseidon is different--it FEELS different, to me, even in the sources, and I was glad to be able to offer that contrast--that assurance that the gods are not ALWAYS cruel to women they find beautiful (Poseidon himself DID certainly rape Medusa before his affair with Aethra, even), because I think THAT is true, too. But understanding why they might be cruel to SOME and not others? Maybe it's an exercise in futility, but I can't help but want to try.

(Of course what constitutes cruelty from an immortal perspective vs a mortal one is another kettle of fish altogether and something that also needs to be interrogated. Can we hold the gods accountable at all? Do they exist outside of mortal concepts of justice? How do we reconcile the difference? The power differential, as well as the gulf of what constitutes our existences? I don't know the answers to any of those questions, either, but I'm absolutely sure I'll keep thinking.)



Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
Amazon | Barnes&Noble | IndieBound

Thursday, October 18, 2018

Confessions from Daughter of a Thousand Years

I chickened out.
I pulled my punches.
I was afraid, and I let my fear take the wheel.

One of the criticisms DAUGHTER seems to receive goes something like this: If Emma had a true and authentic spiritual experience, she wouldn't doubt her faith.

As a heathen who has definitely had profound and entirely authentic spiritual experiences and also still doubted her faith, let me tell you, FIRST of all, that no, having the experience does not magically make one's faith bulletproof. You are still surrounded by people on all sides telling you it cannot possibly have happened and your experience cannot possibly have been what you think it was because your god isn't even REAL--there's definitely some not-so-subtle gaslighting taking place under those circumstances and it sucks. If you can get the people you love to admit that what you experienced is an authentic spiritual experience at all, often times they want to co-opt it and claim it existed inside the framework of their own faith, that that's the only possible way it could be authentic and real, again undermining your experience completely and your faith and trust in YOURSELF and your own senses.

But SECONDLY, and maybe even more importantly, I want to apologize, because the reason that Emma doesn't have an authentic spiritual experience ON THE PAGE in DAUGHTER OF A THOUSAND YEARS is 1000000000000000% because of my own fear. Because while I was writing it, I was still TERRIFIED of putting anything approaching my own experience of the divine, of Thor, on the page, and having that experience rejected.

Again.

This time by the whole publishing, reading world. Or worse than that, other pagans.

I didn't want to include that very personal truth and have it labeled "fantasy," for that matter, either. (It was devastating enough to see it ultimately categorized as fantasy as it was, let me tell you--maybe especially because I'd denied myself and my truth in the hopes that if I did, it would be more acceptable, somehow.)

I was so, so afraid. And that fear took something from the authenticity of Emma's characterization. The reality of her experience of her faith and her god. Which is not to say I'm not still proud of DAUGHTER OF A THOUSAND YEARS--because I am! SO proud! In some ways, it feels like it is very much my best, most literary work. But I wish I had been more honest with myself then, while writing it. I wish I hadn't been so afraid.

That said, I think when I was writing DAUGHTER, I was doing the best I could do. I think writing DAUGHTER gave me the courage and strength to look back on it now and say "this book was written from a place of fear. I want to do better next time."

So this is my promise to you, and to myself: In the future, I'm going to lean into the things that scare me instead of trying to skate around their edges. In the future, I'm going to keep control of the wheel. I hope you'll find the courage to do the same!



Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years A Sea of Sorrow: A Novel of Odysseus
Amazon | Barnes&Noble | IndieBound

Wednesday, September 7, 2016

TAMER OF HORSES is on Netgalley!

Firstly: BY HELEN'S HAND is on sale currently -- just $1.99 for kindle, so snap it up if you haven't already!!

Issue IV of The Amaliad hits your inboxes today -- and subscribers and facebook followers already know that TAMER OF HORSES is now available on Netgalley! You all know how critical reviews are, so if and when you read TAMER, either as an early reviewer or after release, I hope you'll take the time to write one!

The Netgalley edition of TAMER is still the uncorrected proof -- though I did finish (today!) the proofread. Now I'm just transferring the changes/small edits from the highlighted text in my physical galley into the appropriate files, and we'll be off to the races. Fingers crossed, but I might even manage to get the print edition out a little early. We'll see how it goes! And of course you can absolutely pre-order the kindle edition right now, if that's more your speed.

This has been a very hard week -- and August was an intensely difficult month, personally, so I appreciate your patience and understanding all across the board. I hope you'll all love TAMER OF HORSES as much as I do, and with your help and support, maybe we can make Hippodamia a bestseller in her categories on Amazon! (I'm dreaming the dream!)

 I'm running on empty right now so that's everything for the moment -- but we're almost there! And I cannot WAIT to hear what you all think of Hippodamia, Pirithous, Theseus, and Antiope!!!




Tamer of Horses Helen of Sparta By Helen's Hand Daughter of a Thousand Years
Amazon | Barnes&Noble | IndieBound

Wednesday, July 20, 2016

Goodreads Giveaway and the Out of Control TBR pile!

I'm afraid I need to keep this brief because a) I lost power today and subsequently my ability to write this post before the absolute last minute and b)  either I have the world's worst allergies to something blowing around in the wild blue yonder or I'm getting one of those totally sucktastic summer colds -- whichever it is, I am sneezing every sentence or so and it is suuuuper unpleasant.

So, First!
DAUGHTER OF A THOUSAND YEARS is on Goodreads! If you're interested in adding it. And if you're not following author me, now's a great time to get in on some of my behind the scenes updates as I proof not just DAUGHTER but also TAMER OF HORSES in the next few weeks!

TBR shelf BEFORE
Second:
I'm giving away a SIGNED copy of BY HELEN'S HAND on Goodreads this week! Since the HELEN OF SPARTA paperback is still on sale, it just seemed like it was only fair. But don't miss out -- enter to win!!

Thirdly--
Still shelving books and taming the TBR tower! And I have now expanded to reorganizing my bedroom! Because -- well, because these are the things that need doing, and when better than while I wait for proofs to arrive? Honestly, if I don't tackle this stuff in between projects, they get lost in the shuffle, so I'm diving in.

TBR shelf AFTER
4th)
I know I keep saying we'll have cover art soon -- it's still true. I just saw the final final final concept for DAUGHTER OF A THOUSAND YEARS and it is GORGEOUS. That art is most likely going to go live on the Amazon detail page FIRST (Yes! You can Pre-order! There should be audio formats, too, upon release!), but I'll post it here too as soon as I'm able!

And now I'm back to nursing my nose. I'm honestly not sure whether I should be hoping this is a cold or allergies. Whatever means it ends sooner!


Helen of Sparta By Helen's Hand
Amazon | Barnes&Noble | IndieBound

Wednesday, July 13, 2016

Tamer of Horses, Books on Shelves, and the AuthorLife

This week has been FANTASTIC.

Firstly: HELEN OF SPARTA is on sale -- the paperback edition is just 6.99 on Amazon which is an incredible steal, so go forth and nab your copy now! Because seriously.
 
Secondly, because I wrapped my copyedits for DAUGHTER OF A THOUSAND YEARS over the weekend, which is a phenomenal weight lifted. I may or may not have reorganized an entire category of books on my bookshelves as part of my procrastination efforts -- which was also pretty immensely satisfying, I'm not going to lie. I REALLY hated having my YA books all split up across three different bookcases. Now they're MUCH more consolidated, and hopefully soon I can consolidate them even further, but that work might have to wait another 10 days or so.

Apparently I have a habit of getting the first in a series in paperback like a fool.

THIRDLY because I got a glimpse of some cover art concepts for TAMER OF HORSES, and you guys. YOU GUYS. The art was so beautiful I had literal tears in my eyes. Lane Brown, my cover artist, has done an absolutely incredible, fantastic, [insert the most superlative superlative you know here] job and I am just BEYOND excited about sharing it with you when everything is finalized -- which should be VERY soon. (I'm totally wishing I'd saved "phenomenal" for this paragraph now, because Lane Brown deserves it.) Newsletter Subscribers will get to see it FIRST though, so if you haven't subscribed yet, now's the time!

We're also in the final stages of cover design for DAUGHTER OF A THOUSAND YEARS and those concepts have been wonderful, too -- I felt like the designer reached into my brain and pulled out exactly what I'd been imagining. Which means you guys have a LOT of pretty to look forward to, and thrillingly, so do I!

Oh -- don't be alarmed if you notice a few changes around the blog. I think I might have outgrown this particular theme so I'll be experimenting with some variations and designs. Hopefully it will be pretty painless for everyone.

Wednesday, June 29, 2016

The Process: Copyedits (of Doom)

Copyedits for DAUGHTER OF A THOUSAND YEARS have arrived, so I'm diving into the editing cave to tackle them, which means you'll be hearing a little bit less from me for the next week or so. But I thought I'd give you a little peek into a day in the life of author me during Copyedits before I disappear entirely. (If you're curious, I already talked about the process of developmental edits, which obviously come first.)

When the copyedits arrive, the first thing I do is pour over the style sheet. This is basically an extra document that discusses everything unique to the manuscript, presenting the house's standard style choices for those elements and generally making sure we're all on the same page for everything from grammar rules I've ignored utterly to how we're planning on spelling landvættir throughout the text. (For this dual-narrative manuscript, the expression "stupid crying (v.)" made it onto the style sheet -- they find everything!)

Once I'm familiar with the style sheet I move on to the manuscript itself, surfing through the larger comments to make sure there are no surprises
and correcting or accepting the super easy stuff that jumps out at me. (So far, in every manuscript I've had to explain my irregular use of scene break markers -- because I'm kind of the worst about remembering to put them in consistently.)

Then the real work begins. I count up the days I have to get my copyedits done and divide the number of pages by the number of days I have to work with and then add in a little bit of a cushion -- so for this manuscript which is a robust 465 pages, I'm giving myself an assignment of at least 55 pages a day -- because I try really hard, always, to finish early and I usually do.

Then I start cleaning my house.

No, really.

By the time I get to copyedits on a manuscript, I'm mightily sick of reading and rereading and parsing my sentence structure and comma usage. But it isn't just that, either. For me, Copyedits are the most exhaustive and agonizing part of the process -- they make me second guess my choice to be a writer at all, and wonder if I even know how to write anything or if I'm only deluding myself into thinking I can write books. Basically, copyedits make me feel like utter crap, so I will do everything I possibly can to put off the copyediting.

I will wash dishes, swiff the hardwood floors, put away my laundry, pay the bills, write a conference panel proposal, shower, brush my cats, help El Husband with odd jobs, go grocery shopping, cook dinner for my cousins, turn making a sandwich into an art form, shoot the breeze with my fellow writers on our forum, reorganize my bookshelves and unpack boxes of even El Husband's books which don't really deserve premium shelfspace, go through all the accumulated junk mail, and write unnecessary blogposts just so I can Not Copyedit.

Which is why I won't be blogging again until I've turned these bad boys in -- because the last thing I need is another excuse to procrastinate. 

Wednesday, June 22, 2016

Summer

Catalpa Blossoms
Summer is always busier than I expect it to be. June is nearly finished, and I can barely believe May is so far behind us. Part of it is the sheer quantity of social engagements -- Memorial Day kicks things off with a big family picnic, which we followed up with another smaller picnic and then a trip to South Dakota to see more family and friends, and catch a couple of hours of rodeo.

Now Summer Solstice has come and gone and I have a brother to help move, an Outlander binge-watch to host, and I'm staring the 4th of July in the face. I don't know how I got here, or how it's been almost 6 weeks since BY HELEN'S HAND released, and a month since I turned in edits on DAUGHTER OF A THOUSAND YEARS, and I have only one sad sorry paragraph of a short story and the still only hand-written opening scene of my next Amalia Dillin novel to show for it.

Photo ©Gayle Dillin. Please do not reuse without permission.
July, I promise myself, will be the month I buckle down. July will be serious back to work drafting Orc 3 and copy edits and proofs, probably, for my next Amalia Carosella books, and maybe if we're very lucky, glimpses of cover art before August. (I've seen some concepts for DAUGHTER OF A THOUSAND YEARS already and they are beautiful.) July is when I have to quit my dinking and aim for a solid 2K a day, because the Summer Olympics are coming in August...

Summer is always busier than I expect it to be.


Wednesday, September 30, 2015

The 3rd Annual #NAMEthatBUTT Challenge begins October 6th!

Artemis/Diana's beautiful backside in motion!
Join me over at blog.amaliadillin.com for some mythic sculpture fun beginning October 6th, and test your knowledge of mythology with the 3rd Annual #NAMEthatBUTT Challenge!

This year the games will cross over to this blog, as well, with some bonus clues appearing here, as called for -- I'll be using quotes from my books which relate to the butts in question, and if you guess which book I'm quoting from, you'll get a bonus two points for that week's round! (Spoiler: you can safely eliminate the Orc Saga books from these events -- so if you want to prepare by reading up, focus your attentions on HELEN OF SPARTA, and my Fate of the Gods trilogy!) As a result, you can expect this blog to be mostly finely sculpted backsides for the immediate future, and regularly scheduled posting will likely not resume until next year. (Words to write! Holidays to Holi! etc, etc.)

And since the games are coming, I thought it would be a good idea to post the rules for those of you who might be new to this greatest of adventures, just in case you want to play along!


THE RULES:
  • Comments will be moderated.  You will NOT see your comment appear immediately after posting! 
  • I post a butt and clues at blog.amaliadillin.com on Tuesday, you guess who that butt belongs to in the comments yonder. If you guess right, you get 5 points. 
  • There may be a bonus clue posted on Wednesdays over at blog.amaliacarosella.com -- when applicable they will be announced on Tuesday in the main post and instructions for how to bonus it up will be included in the bonus post!
  • If you CORRECTLY identify the artistic work (title/artist) in question, you earn a bonus 5 points total: 2.5 for title, 2.5 for artist. (Provided of course, that it differs from the subject's name alone and the artist is known at all)
  • The following Friday, I reveal the full backside image of the sculpture in question! If at this time you can correctly identify artist/title/subject of the piece, you can earn up to 3 points (total -- 1 point for artist, 1 point for title, 1 point for subject) 
  • You may guess artist/title/subject/book from which I've quoted until the next round of NAME THAT BUTT begins. (Usually the next Tuesday -- I'll reveal the previous week's sculpture and offer the next butt for guessing!)
  • I'll keep a running tally of correct answers/points.
  • For Olympians, Greek AND Roman names are acceptable for the subject guesses. For example, if the butt belongs to Mercury, I will also accept Hermes as a correct answer. Titles of works must be exact, however.
  • A new NAME THAT BUTT may NOT be posted every week, depending on Things, but it's my hope they will be. 
  • There will be Prizes at the finish. They will be shipped internationally. I haven't decided what they'll be yet, but for sure they will include #NAMEthatBUTT postcards/stickers.
I do hope you'll join us in the fun!

Wednesday, September 16, 2015

Tales from the Edit Cave

I'm still in developmental edits (Round 2) for Helen the Sequel (we're still working on the title!) and hoping to wrap that up today. NEXT Wednesday, I'll be taking the day off from this blog, but for a reason! At the end of September/early October I'm hoping I can put together a new #NameThatButt game, which will cross-over from my Amalia Dillin blog, GOOD TO BEGIN WELL, BETTER TO END WELL with some fun clues from my (myth-related) books. So fans of HELEN OF SPARTA, I hope you'll come play along!

In the meantime, I'm running a promotion for my romantic fantasy series -- HONOR AMONG ORCS is just 99 cents for the next two days, and I've reduced the pre-order price of BLOOD OF THE QUEEN, too, to entice readers during the sale -- so if you think you might be interested in reading the non-historical-fiction side of me, now's a good time to take a very small risk for what could (potentially/hopefully) be great rewards!

And with all of that said, I'm climbing back into my cave to edit, edit, edit!


Wednesday, September 9, 2015

AuthorSpace

New rug, new work space, new books, and new adventures!



Well, okay, maybe not entirely new (seriously this desk came with us from North Dakota, where we bought it second, or possibly third hand off of a fellow student, and that chair is a hand me down from my sister's residency in this same house -- I think 4 out of 5 of my siblings have lived here at one point in time or another, and we all left something behind -- but we did finally reorganize and relocate it all so I have a new-semi-temporary space to work that isn't "that armchair in the living room"!) because I'm editing Helen The Sequel, still, after all -- but I'm definitely exploring some different options. At the moment I can neither confirm nor deny anything relating to the topic of the next book I'll be working on because I'm still a little up in the air on what I want to write!

But I *will* be doing some serious reading in the near future! For research and pleasure and um... pleasure research? (Research pleasure? Whatever! I just like Norse stuff, okay?!)

And now I'm back to the edit/research cave!

Wednesday, September 2, 2015

The Process: Developmental Edits

So since last week I talked a little bit about what I *want* to write, I thought maybe I'd stick with the theme and talk a little bit today about a step that comes after the *want* and before the Published-For-Your-Reading-Pleasure: Developmental Editing!

I never did give you guys a good look at Theseus Candy Land!
Much like Developmental Edits, this is only the beginning.
Here's a thing you should know about Developmental Edits -- they're my most favorite part of the editing process. I love getting the letter and digging in to find out what I can do to make my book better. Developmental Edits (or Structural Edits), are the bigger, macro level elements. How do I make my character's motivations stronger, or where do I need to cull some of the sag to keep the book moving because my pacing has faltered? It's about the broad strokes more than the line level issues. That said, there are usually some line level pieces that get tagged along the way, if they jump out, and I address those, too.

But the first thing I do is read everything. The letter, and any and all comments in the manuscript, and then the letter again. As I go through the manuscript comments the first time, I do all the easy fixes -- the line level things that popped up here or there, or anything that can be addressed with just a quick line or a clarification. I try not to get sucked into reading the book itself. (This is always a challenge at this stage -- less of one later, when I'm sick of staring at the screen and agonizing over commas.)

Once I've gotten all the easy fixes out of the way, I reread the developmental edit letter -- which kind of highlights the big things that were awesome or need fixing where more than just a comment bubble is needed to get the point across. I make myself a little list of the big issues, either in a new document, or by highlighting in the letter itself, so I can see EXACTLY what needs doing. (I've been fortunate with HELEN and her sequel in that the manuscript has been pretty solid, but with my other books, there have definitely been times when I had to throw out huge tracts of the manuscript or rewrite from the ground up.)

At this point, I do the surgical strikes. The "this chapter didn't work for x reason, please fix" kind of problems. I skip into the chapter (or maybe the chapter just before to make sure I'm grounded) and dig into that issue. The isolated issues are the easiest -- but sometimes even the issues that SEEM isolated have ripple effects throughout the rest of the manuscript, so I try to keep that in mind, and add it to my list as necessary.

Once ALL the spot treatments are out of the way, I go back to the beginning of the manuscript with the BIGGEST of those identified and issues firmly in mind -- the overarching stuff that requires me to attentively look at every chapter for either the whole book, or a considerable swath -- and I start rereading and nipping and tucking and adding and tweaking as necessary. As I fix a thing in my list, I cross it out or delete it. That way I don't lose track of what I'm doing or forget any piece of the edit puzzle.

There have definitely been times when after reading a developmental edit my kneejerk first response has been "No! I can't DO that! What! How am I supposed to make that happen?!" (Even for HELEN -- before she found a home a Lake Union, when I was only a fledgling author!) But in the next breath, my brain is already whirring and spinning with ideas for how I CAN make it work or otherwise address the issue, and by the next day or the day after, I have a plan of attack. It might not be what the editor had in mind or suggested, but I always end up finding away to approach the problematic element, even if it seems impossible at first.

And that's that! I hope you enjoyed this kind of behind the scenes peek into the editing process!


Wednesday, August 26, 2015

What I Want to Write

These last couple of weeks as I've been researching different people and periods and places for something that might become A Book, I've been thinking a lot about what I want to accomplish as an author of historical fiction. What drives me to choose one story over another? To choose one person or place over another? What do I want to tie my books together when/if I eventually break away from the Bronze Age?

I hadn't really given it a lot of thought, but as I was researching, wrinkling my nose at this person or that period, it kind of jumped out at me. One of the things I tried to do with HELEN already, and would really like to continue to do, is give voice to people (in a serious and respectful way) who we, in the west, have been quicker to dismiss -- to acknowledge that perhaps these other, older cultures and people DID have their own meaningful experiences with the numinous or some greater spiritual power.

And maybe sometimes this means writing a book about Joan of Arc, who no one believed heard the voice of God (unless it was politically expedient, of course). Maybe it calls for a book about Ramesses the Great and Moses (both of whom, in that moment, must have felt sorely tested in their faith.) Or maybe it means writing books about Greek heroes who actually really are the sons and daughters of Olympians. And maybe it means digging into the Icelandic Sagas, and exploring the complicated relationships that the Icelanders and the Norse had with their gods, or the struggle to reconcile their old faith to the new one, when the White Christ came.

It's important to acknowledge the experiences and the beliefs of the people who came before us, and while we can't ever know for certain how real or imagined any god is or was, I want to be truthful to what the people of these times, these cultures, believed they were. Not just out of respect for the past, but for the present, too. Because there is still today, a great diversity of faith, and maybe by reading about it in the past, we'll have an easier time embracing it in the here and now.

I don't know if I'll always have the opportunity to write these kinds of books, of course -- but they're certainly the stories that make my fingers itch the most!

Wednesday, May 6, 2015

Authorial Adventures

Helen of Sparta Sorry!, Risk,
and Theseus's edition of Candyland
from the HELEN OF SPARTA launch party!
It's been pretty non-stop Mythology and Mycenaean Greece on the blog since HELEN's release, but I figured it was about time for an authorial update!

I've been writing like the wind behind the scenes, and researching all kinds of suitable mythological figures along the way. Lots of goddesses and judgments and some awesome, fun, surprise characters I wasn't expecting to find in this latest manuscript. I've been deep in the bronze age for two new manuscripts in a row now, plus HELEN OF SPARTA's edits before that, and it'll be fun to step outside of that and play around with some other projects while contractors come to tear up our 70s carpets and put in (long long long overdue) new flooring. (Seriously. Carpet from the 70s should not still be in ANYONE'S house.)

The EXCITEMENT of carpet destruction (etc) is likely to be impossible to escape and even more impossible to write through, so I don't expect to do more than pick at things here or there, but maybe if I'm lucky I'll get through some edits for that other Amalia. We'll see. Best Laid Plans, and so on!

Here's hoping your May is a lot quieter than mine, and that June will be clear sailing for everyone -- and at the very least, I've got the Historical Novel Society Conference at the end of June to look forward to, so Sound Off in the comments if I'll see you there!


Helen of Sparta
Amazon | B&N | IndieBound