Amazon | Barnes&Noble | IndieBound
1) The Lion of Troezen (Novelette--launching on Patreon, January 2023)More than 40 years before Helen of Sparta, this novelette retells the myth of Theseus's conception, focusing on Aethra's extremely intimate relationship with Poseidon, and how that relationship alters the course of her life.2) Ariadne and the Beast: A Short StoryA little more than 25 years before Helen of Sparta. I guesstimate Theseus is in his late teens during the events of this story!3) Tamer of Horses~20 years before Helen of Sparta. Theseus and Pirithous are both kings of their respective domains, but still learning what that means.4) Helen of SpartaTheseus and Pirithous are both in their 40s and Heracles is older, still.5) By Helen's HandPicks up right where Helen of Sparta leaves off. Pirithous's son by Hippodamia, Polypoetes, is of age to take over for his father as king of the Lapiths.5a) A Broken HorseThis novel is written but not yet published--I'm looking for an agent!--and follows both Paris and Polypoetes as they navigate the Trojan War.6) The Siren's Song/A Sea of SorrowTakes place after the close of the Trojan War, as a retelling of The Odyssey. A Sea of Sorrow is in continuity with A Song of War, History 360's retelling of The Iliad, but my revised author's cut edition of The Siren's Song novella does exist within the same world as Helen of Sparta.7) Son of Zeus~3000 years or so after Helen of Sparta, this novel takes place in our modern world, and Pirithous is still in his 40s after being trapped in the chair of forgetfulness for millennia.
All these titles, with the exception of Helen of Sparta and By Helen's Hand, were written to stand alone. You don't need to have read Tamer of Horses to enjoy Son of Zeus (I wrote Son of Zeus immediately after I finished writing Helen of Sparta, actually, before I had even written Tamer of Horses or By Helen's Hand.) And you don't need to read Ariadne to enjoy Helen of Sparta, though Theseus appears in both.
You probably DO want to have read Helen of Sparta before you pick up By Helen's Hand, though, as they were written as a duology of Helen's life leading up to the Trojan War. And if you did happen to read Tamer of Horses before or after Helen of Sparta, it might enrich the experience of both books! If I've done my job right, you shouldn't need to have read either of Helen's books before A Broken Horse, either, when/if that makes it out into the wider world. Do I think you'll enjoy it more if you have? Yeah, of course. And even more again if you've read Tamer of Horses as well, since that's the story of Polypoetes's parents. But it shouldn't be a necessity.
Consider them all just--companion novels, that allow you to travel a little deeper into the world and the stories of the characters you've met, either in reading Helen of Sparta, or in your own exploration of the myths themselves.
Tamer of Horses, Son of Zeus, and Ariadne and the Beast are all available in wide release through the digital retailer of your choice. Tamer of Horses and Son of Zeus are also both available in paperback for your physical reading pleasure--you should be able to order them from pretty much anywhere. (Here's a bookshop.org link to prove it! Alas, the Son of Zeus hardcover is Amazon Exclusive.)
Ah! and before you go, The Siren's Song is going wide this week! Look for it in your library apps and available from non-amazon vendors at this link very soon!!!
![]() |
| Goodreads |
“I have bread, cheese, and fruit enough for both of us. And a skin of water for you, steeped with mint.” He guided her through the central courtyard. “My physician tells me it is quite good for stomach ailments, but I find the mint clears my head if I have not slept well.”
He had thought of everything, and now he held her hand, it was clear he had no intention of letting her go. Her fingers twitched, but he only threaded her arm through his, smiling down at her as if he did not hold her trapped at his side.
“I hope you had a pleasant night, my lady.”
She flushed, her gaze falling to his bare shoulder, and the glint of scattered golden hairs across the expanse of his chest. “I fear I slept poorly.”
“That has ever been my own experience beneath a strange roof,” he said, leading her between the tall columns and down the wide porch steps. The palace walls loomed over them, but Pirithous turned away from the gates. He frowned slightly. “I much prefer to sleep upon the porch, or a balcony, where I might see the stars. As long as I can see the sky, I know myself free.”
“Free of what?” she asked, in spite of herself. There was something about his expression that drew her, and a distance in his eyes she did not like. “I cannot imagine any man imprisoning a son of Zeus.”
“No,” he agreed. “But it is a dream which haunts me all the same. Blackness and unbreakable restraints.” His frown deepened, then he shook his head and laughed, his eyes warming again when they found hers. “It is nothing, I am sure. Just a child’s fear of the dark, poorly remembered. The night has ever been my friend.”
Is it wrong to turn a mythic abduction into a romance in which the woman has agency? In which the woman has choice, and the man recognizes her as his equal, and offers her a place at his side without violence? Or is this the natural evolution of what these myths should become, now that women are not simply seen (or only seen) as property and prizes?We're blogtouring May 16-June 24th to celebrate the release of BY HELEN'S HAND (Helen of Sparta #2) -- available NOW in paperback, audio (cd, mp3, and audible), and for kindle. I hope you'll join us by sharing your own reviews on Amazon, Goodreads, or wherever you like to talk books!
And if you enjoyed my take on Helen, don't forget to subscribe to THE AMALIAD for a free short story prequel to HELEN OF SPARTA: Ariadne and the Beast!
One of my favorite myths is the the story of how Theseus and Pirithous meet for the first time. Somehow, the idea of the young King Theseus, making a name for himself as a hero and an upstanding individual -- a king of great wisdom and honor -- being tested by Pirithous the most piratey of rapscallions, just tickles me. (Mild spoilers for Helen of Sparta if you're not familiar with the myths.)
The story goes that Pirithous and Theseus made a pact that they should both marry daughters of Zeus, because they were demigods and as such deserving of marriage to women of divine lineage. Leaving aside the fact that a daughter of Zeus would also be Pirithous' half-sister and the marriage slightly incestuous, a demigod deciding he deserves some kind of honor or another for himself is never really a good idea. Hubris is never, ever, ever a recipe for success for any demigod or mortal. The gods just do not put up with it. (Definitely a spoiler for Helen of Sparta)
The Centauromachy, the war with the centaurs, doesn't seem to me to be something that can be overlooked for either of them. I can't get around the idea that the abduction of Hippodamia by the centaurs (her kin!) on her wedding day, of all days, and the subsequent bloodshed at the wedding feast, would be emotionally traumatizing not just for Hippodamia and Pirithous, but for the rest of the community as well, centaur and human alike. (This myth takes place maybe 20-30 years before Helen of Sparta, so Spoiler Free, but it's a very influential event both for Pirithous and, I believe, his son. Polypoetes is the son of Hippodamia, after all.)
Among the men listed as suitors of Helen, and those named as leading ships to Troy, we find the footnote of Polypoetes, the son of Pirithous. I've done a lot of THINKING (and writing!) about Pirithous, and Polypoetes's mother, Hippodamia -- but until I started writing BHH, I hadn't really considered their son. (Definite Spoilers for Helen of Sparta and mild spoilers --primarily of motivation for BHH!)
If you enjoyed Helen of Sparta don't forget to pre-order your copy of BY HELEN'S HAND -- available May 10th in paperback, audio (cd, mp3, and audible), and for kindle! Or maybe just mark it to-read on Goodreads in the meantime :) And don't forget to subscribe to THE AMALIAD for a free short story prequel to HELEN OF SPARTA: Ariadne and the Beast!
| Pirithous and Hippodamia © Marie-Lan Nguyen / Wikimedia Commons |
![]() |
| Dying Centaur (photo by me!) |
[...]when the news was brought that Theseus pursued him in arms, he did not fly, but turned back and went to meet him. But as soon as they had viewed one another, each so admired the gracefulness and beauty, and was seized with such respect for the courage of the other, that they forgot all thoughts of fighting; and Pirithous, first stretching out his hand to Theseus, bade him be judge in this case himself, and promised to submit willingly to any penalty he should impose.
| © Marie-Lan Nguyen / Wikimedia Commons Which is Pirithous and which is Theseus I couldn't tell you, honestly. |
![]() |
| Ceres/Demeter searching for Persephone |
![]() |
| A Dying Centaur |
In that din [the centaur] Aphidas lay with every vein relaxed in endless sleep, unwoken, undisturbed, sprawled on a shaggy bearskin from Mount Ossa, his wine-filled cup in his unconscious hand, out of the fight--in vain! Observing him lying apart there, Phorbas fingered firm his lance's thong : ‘You'd better mix,’ he cried ‘your wine with Styx's water!’ There and then he hurled his lance and through Aphidas' neck, as he lay sprawled face-up, the iron-tipped ash drove deep. Death came unfelt. Over the couch--into the cup--blood gushed from his full throat. (Metamorphoses, 12.316)
Unlike the centaur in the previous bronze (which was far more Art Deco in style) there isn't anything elfin about his features. Hollow-cheeked and thick-nosed, this centaur is rawly human. A man lost to madness, made all the more clear by the fallen amphorae, spilling wine beneath his hooves.
Hippodamia on the other hand, seems either to have fainted from the shock of her abduction, or else she's flopping like a fish to make herself as awkward to carry as possible. Generally, she's portrayed as helpless -- a damsel in distress. But I can't help but think it must have been more than wine which provoked the centaurs to kidnap one of their own. And I really have a hard time believing that a woman referred to as "kin" to the centaurs and tamer of horses would just give up without a fight.
Maybe that's why I like the myth of Hippodamia -- because there's so much potential there, to build a strong woman from the bare-bones account of her life. What's more, it strikes me as something of an untold story, because the depictions of Hippodamia tend toward the hysterical woman, despairingly throwing herself about while waiting to be rescued by her pirate-hero-king husband, Pirithous.![]() |
| Centaur and Dryad by Paul Manship |
As you can imagine, Pirithous did not sit still for this, and with Theseus at his side, and the help of a number of other guests as well, they attacked and defeated the centaurs, rescuing the women, and driving the remaining horse-men from the city, and perhaps even the lands of the Lapiths entirely. Hippodamia escaped mostly unscathed, though I can't imagine she looked back on her wedding day fondly after that.