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Wednesday, April 15, 2015

Mycenaean and Homeric Burial Practices

Dying Centaur
(photo by me!)
I've been doing a LOT of reading regarding funerary and burial practices of Mycenaean Greeks, and particularly those living in Bronze Age Thessaly, and I have learned a great many things -- the most important being, while Homer makes much of the funeral pyre and cremation of the dead, there is little to no evidence of cremation taking place in Mainland Greece during the period (LH IIIB ish) of the Trojan War.

There's evidence for it elsewhere, sure. Other cultures absolutely honored their dead with cremation via the funeral pyre. But in Mycenaean Greece? Cremation doesn't seem to show up until the Early Iron Age, and even then, it's not at all widespread. But as someone writing historical fiction built off the mythic traditions and heroes of Homer -- this presents a bit of a quandary to me, as the author.

Historically speaking, the inhumation of the dead into tombs (of varying size and style) or simple graves is more correct. But is the reader more familiar with the funeral pyre? Will they be expecting it? And if I don't make use of it, how do I reconcile or explain the difference between the practices of these heroes before they set out to war, and their sudden alteration while afield?

Ultimately, while the difference between cremation and inhumation APPEARS to be large, it seems that the burial and funerary practices of Mycenaean Greeks are not entirely different from what occurs within the pages of the Iliad. In fact, according to Mylonas (who, I will grant you, was doing his research in the 40s -- which was a very long time ago in terms of Archaeological practices, technology, and the vast amount of new information available to us today), it seems that apart from the actual disposal of the body itself, the practices and rites surrounding that ultimate disposal are VERY much the same, and the Homeric accounts of things like gifts of jars of oil and honey set around the bier for the dead, and even the funeral games and the feasting, seem to be holdovers from the earlier tradition of inhumation, when the shade might have lingered during the much longer process of decomposition of the flesh, and could appreciate the supplies and honors bestowed upon his corpse.

But ultimately, the novel I'm revising is a book in which no one passes peacefully into death. The Centauromachy is a violent slaughter, and the bodies certainly would have piled up. And in my reading and research I have yet to find a reference to any kind of mass burial due to war -- no large numbers of people all entombed together. And I wonder if that might have made a difference in how the bodies of the dead were honored or addressed.

I haven't decided yet how I'll work through this particular challenge -- if Homer or the Archaeological record will rule in this particular novel. But it's a fascinating problem, all the same! And I have to admit, I kind of love the learning along the way.

Wednesday, April 8, 2015

The Assembly of Helen's Suitors

Detail Menelaus Painter Louvre G424
Helen on a krater, via wiki commons
public domain
There's a reason that these myths surrounding Helen of Troy and the Trojan War have been retold so many times, and a reason the retelling often begins with the assembly of Helen's suitors -- it's high stakes and high tension, and there are a lot of powerful men in a confined space, all hoping to win the same GLORIOUS prize. And it wasn't just Helen herself they might have wanted, either, but the entire kingdom of Sparta that came with her. Which means this particular moment in myth (and history?) is a breeding ground for conflict. And conflict is where stories are born.

Odysseus, scheming with King Tyndareus, or with Helen herself and her brothers, looking for a way to prevent the gathering from turning into all-out war the minute a husband is chosen. Tyndareus just sweating with nerves, walking on the edge of a blade and fearing even the smallest misstep, because the wrong word to the wrong man at the wrong moment will doom not just his daughter, but perhaps even his kingdom, or the man he most wants to make his son-in-law. Helen, surrounded by dozens of men, all looking at her like she's a treasury of gold and silver and bronze, theirs for the taking. Or worse, panting and lusting after her body, with no consideration for her kingdom or her people, at all.

There are so many ways that things can go horribly wrong, even when you know how it ends. And poor Tyndareus. Helen's story makes it so clear that when it comes to possessing her, the violation of Xenia is the least of what a man will risk.

To say that I was looking forward to writing it is an understatement. But it wasn't where I wanted to begin. There is so much more to Helen's story than the moment when she was offered up as a prize.

Which is why I wrote Helen of Sparta -- the story of the girl who feared what would come when she became a woman. The story of the woman who realized she couldn't leave her fate in the hands of anyone else. Not her father, not her brothers, and absolutely not the gods. The story of Helen before the myths we all know.

...Which isn't to say I'm not looking forward to tackling the rest of her more well-known adventures, too!



Available April 1st!
Amazon | B&N | Goodreads
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war—a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers—violence, betrayal, extortion, threat of war—thwart Helen’s plans and bar her path. Still, she refuses to bend to the will of the gods.

A new take on an ancient myth, Helen of Sparta is the story of one woman determined to decide her own fate.

Wednesday, April 1, 2015

Release Day for HELEN OF SPARTA!!


Amazon | B&N | IndieBound
Goodreads
Today, HELEN OF SPARTA is officially released into the world in paperback and ebook, and I could not be more excited! To celebrate, I thought I'd do a little bit of a round-up of past Helen and Theseus posts, in case you feel like reading up on the underlying myths of their adventures -- but beware! If you don't know these myths already, they definitely contain spoilers for HELEN OF SPARTA's narrative!

To some ancient writers, Helen's beauty is seen as the most powerful gift of all. I'm not so sure I agree that it was a gift, exactly, but it was certainly powerful! (spoiler free!)

We remember Theseus primarily for his heroic deeds of self-sacrifice more than those of self-service, and that's strange indeed for a hero of his time, something that opens the door for an interpretation of his character that jives more readily with modern ideas! (Spoiler free!)

In which I discuss how the myth of Helen's abduction by Theseus might have been a reflection of the later antagonism and animosity between the great cities of Athens and Sparta. (If you don't know this myth already, potential spoilers ahoy!)

What do we know about their relationship before they were married? Not a lot. But there are some very interesting intersections which make for great story-fodder. (Maybe wait to read this one until AFTER you've finished reading HELEN OF SPARTA! There might be some Spoilerish questions raised! Definitely it involves a glimpse of my thought process in creating Menelaus's character!)

The Fall of Theseus (Part I and Part II)
King Theseus doesn't get nearly as much press as Young Theseus -- maybe because his later exploits (one of which is the abduction of Helen) end in disaster. (Possible spoilers for HELEN OF SPARTA!)

There's a lot more on Helen, Theseus (and Pirithous) in the archive if you want to explore, but this is a solid primer to get you started! Don't forget the maps, too, if you want a little bit more Geographic context to the places in HELEN OF SPARTA! And be sure to follow along on the blogtour for reviews and interviews this month!



Wednesday, March 25, 2015

Helen of Sparta's World (Mapped!)

We take for granted the incredible accuracy of our maps today -- but for Helen and Theseus, and their fellow bronze age heroes, the shape of the world was a little less... precise. So when I went looking for a map that I might be able to use to highlight some of the more relevant places in Helen of Sparta, the idea of using something a little bit more stylized appealed to me. I like the idea that it might have been closer to how Helen and Theseus viewed their world, rather than how WE might perceive Greece today!

So for those of you looking for a better idea of the Geography as you read, here's a rough idea of where the cities of Mycenae, Athens, and Sparta were, in relation to one another, and the kingdom of Pirithous's people, the Lapiths, in the far north of Thessaly -- so far north, his home isn't even within the bounds of the map!



This map was published in the 1700s, and drawn by a Guillaume Delisle. I just edited and cropped it a little bit in order to make the place names that mattered to my novel more apparent in the image. (Greece is crowded!) If you're curious, you can find the original image on wikimedia commons, along with a little bit more information about the map.

And if you'd like a bigger picture of Greece -- with Thessaly included, I also highlighted the relevant places on this 1903 map (slightly edited for size and readability by me, via Project Gutenberg and The Atlas of Ancient and Classical Geography by Samuel Butler.) You'll definitely want to click to embiggen and view it full size.




Available April 1st!
Amazon | B&N | Goodreads
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war—a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers—violence, betrayal, extortion, threat of war—thwart Helen’s plans and bar her path. Still, she refuses to bend to the will of the gods.

A new take on an ancient myth, Helen of Sparta is the story of one woman determined to decide her own fate.

Wednesday, March 18, 2015

HELEN OF SPARTA blogtour begins April 1st!

http://hfvirtualbooktours.com/helenofspartablogtour/


Wednesday, April 1
Review at Unshelfish
Review at Let Them Read Books
 
Thursday, April 2
Review at Flashlight Commentary

Friday, April 3
Interview at Flashlight Commentary

Saturday, April 4
Review at History From a Woman’s Perspective

Monday, April 6
Review at Curling Up By the Fire
Spotlight at A Literary Vacation

Tuesday, April 7
Spotlight at www.leeanna.me

Wednesday, April 8
Review at Historical Reads and Views

Thursday, April 9
Review at Oh, For the Hook of a Book!

Friday, April 10
Review at With Her Nose Stuck in a Book

Monday, April 13
Interview at Book Babe
Spotlight at Historical Fiction Obsession
 
Tuesday, April 14
Review at Forever Ashley

Wednesday, April 15
Review at Just One More Chapter
Spotlight at CelticLady’s Reviews

Thursday, April 16
Review at 100 Pages a Day

Friday, April 17
Review at Impressions in Ink

Monday, April 20
Review at Book Lovers Paradise
Interview at The Maiden's Court
 
Tuesday, April 21
Review at Broken Teepee
Spotlight at Passages to the Past

Wednesday, April 22
Review at Ageless Pages Reviews

Wednesday, March 11, 2015

Mycenaean Names from the Linear B Tablets

Thanks to the awesome talk on Bronze Age Greece mentioned in my earlier post, I am now well stocked with Mycenaean names of all kinds -- or um, some kinds, anyway. This list is mostly for me and my potential future needs, but I thought some of you would appreciate the quick reference.

It seems like some names were based on occupation -- which shouldn't be too surprising, all things considered. In the modern world. we have that same kind of convention in our surnames (Smith, Potter, Cooper). A few examples from Linear B, related to Smithing:

Aithalos (Soot)
Arisbas (he who quenches very much)
Puraltas (Fire-feeder)
Purkoros (fire-sweeper)
Khalkeus (smith)
Melanthos (dark)
Pamphusos (all bellows)
Psolion (sooty)
Psolarkhos (he who rules over soot)

Other names were related to, it seems, characteristics:

Atukhos (Unlucky, armorer of the king)
Plouteus (Wealth/wealthy)
plus another name I didn't catch the spelling of but translated to "On the Lake" ha!

And still more were mentioned in passing and I have no idea what they mean:

Tantalos (like Tantalus? Kind of fitting if it was, what with him being the Great-Grandfather of Agamemnon.)
Du Moncel Theodore - The Lion Gate at Mycenae - Google Art Project
The Lion Gate At Mycenae
By Du Moncel Theodore (1821 - 1884), via Wikimedia Commons
Warnotaios
Lakhuros
Phalaikos
Kusos
Kerawios
Kotullon
Aikhweus
Aithiops
Adamaos
Atukhos
Pikreus
Alksoitas
Komawens son of Dewos
Pakhullos, son of Dewos
Khalkeus
Euestor
Awekseus


Finally, a couple of titles:**

Wa-na-ka (Wanax, or King -- in the PALACE context, as opposed to the hamlet context)
Ra-wa-ke-ta (Iawagetas, Leader of the Host -- Kind of like the king, but not quite as impressive.)
E-qe-ta (Hequetas, Follower -- hypothesized as similar to Alexander the Great's companions, aristocratic companions to the Wanax.)
Qa-si-re-u (Basileus "community leader" or chief, which came to mean "king" in later Greek)

Also: Telestai (not explicitly discussed but presented in a chart as "governors" and "chiefs")


**Hyphenated words are the Linear B representations, and inside the parentheticals you'll find the later Greek and the meaning.


Don't forget HELEN OF SPARTA was selected for Kindle First! Grab your e-copy now before it's official release on April 1st!

Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war—a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers—violence, betrayal, extortion, threat of war—thwart Helen’s plans and bar her path. Still, she refuses to bend to the will of the gods.

A new take on an ancient myth, Helen of Sparta is the story of one woman determined to decide her own fate.

Wednesday, March 4, 2015

The Middle Class of Mycenaean Greece

The Cyprus Research Fund (and the history department at UND) hosted a fantastic talk a while back, regarding Mycenaean Greece -- Professor Dimitri Nakassis (of the University of Toronto) theorizes from his study of the Linear B tablets that the old model of PALACE and PEASANTS for Mycenaean Greek society should be modified to include a thriving middle class and large variety of contracted local elites. He rejects the idea that the repeated names in the tablets are unrelated, or just popular names, and instead suggests that these repeated names with differing responsibilities were the same individuals who took on multiple middle-management type roles.

Linear B tablet from Nestor's Palace
Copy of a Linear B tablet
Photo by Fæ [CC-BY-SA-3.0],
via Wikimedia Commons
Names associated with titles and important roles are never interpreted as different people with the same names, but the names associated with practical roles and jobs (smith, shepherd, farmer) usually are brushed aside as multiple individuals who happen to share a name with someone else by coincidence. In addition, he points out, there are only one or two instances where it can be PROVEN that a single name applies to a handful of people, and that frequency of naming is still less than 1% of the names presented -- the most "popular" name in the Pylos tablets belongs to 7 men, as opposed to the popularity of a name like Michael or James in the modern world, which is used by something like 12% or more of a population.

So what does this mean? People in Mycenaean Greece weren't as cut and dried as we thought. It wasn't just the Haves and the Haves-Nots. And it wasn't The Palace, and everyone else as tenants. There's evidence of men taking on the roles of Smith, Shepherd, and Land Owner -- perhaps not personally going out and herding the goats, or tilling the fields, but rather as taking responsibility for those tasks and delegating or overseeing the work as done by others. Contracted by the Palace, and subcontracting to whoever is below him on the totem pole. And the assumption that Smithing was some kind of manual labor done by peasant-level citizens is also challenged. Smithing in particular may well have been a skill which PROVIDED status, or at the very least allowed someone to move up the ladder into a local-elite position.

Basically it all boils down to this one, seemingly common-sense framework: People who are mentioned a whole bunch of times across a variety of tablets and related to a multitude of roles are probably more important than people who are mentioned a handful of times, and those people in turn are probably more important than the people mentioned just once or twice, which creates a scale of importance far more complex than simply PALACE ELITE and PEASANT. In fact, it creates a middle class, full of private landowners, private flock owners, private merchants, private artisans, and presents an argument for relationships between these people of LOCAL importance and the Palace which are far more interesting than we previously thought.

It seems like such a simple thing, but its funny how those simple things can be so overlooked for so long!